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  • For most of our history on this earth, extended families — clans, tribes — have lived within shouting distance of each other.
    Grandmothers,
    grandfathers, aunts, uncles, cousins, sisters, brothers, mothers,
    fathers, daughters, sons — their lives lived out near one another,
    intertwined in a number of ways.

    A young wife, troubled about her
    fussy baby's teething, could just walk down the road and ask her mother
    or her grandmother for advice.

    An only child didn't want for playmates, because just over the hill were two or three housefuls of cousins ready for adventure.
    A farmer who needed help getting his crop in could call on his brothers and uncles and cousins, knowing they would help him.
    A
    housewife, lonely during long gray winter afternoons, could get
    together with the other women in the family to quilt while they visited
    by the fireside.

    A man could talk things over with his brothers and his dad on their way to the woods, or sitting on a creek bank.
    Many
    hands made light work when it was time to get crops in, build houses
    and barns, quilt winter covers, put up vegetables from the garden, or
    tend to a sick loved one.

    I believe this world of ours, where
    families are so often cut apart and scattered, suffers from the loss of
    this good, time-honored way of living close to our kin.

    When Mama
    was growing up in Mississippi in the Thirties and Forties, her mother's
    mother lived right next door, and her daddy's mother lived five miles
    away. She had aunts, uncles and cousins galore to enrich her life.

    When
    Daddy was growing up, he and his mother lived with her parents, and all
    four of his mother's siblings lived nearby. His uncles and grandfather
    took him fishing out on the Gulf, and taught him about boats and
    airplanes and things that a fatherless little boy needed to know.

    During
    my growing-up years, our Navy family moved here and there across the
    United States, usually far away from our kinfolks in down South. When
    we were able to spend a few months in Mississippi, my sisters and I
    thought it was wonderful to live with my mother's parents, with our
    cousins right down the street. Granddaddy would take his riding on his
    big black horse, and let us drive his golf cart. Our adored cousin Beau
    taught us how to catch a football, and urged us to climb trees and do
    outdoor things that a houseful of little girls needed to be pushed to
    do.

    When I was a young mother, I lived in my mother's hometown, even
    though she was living far away in northern Virginia. I had the blessing
    of having my grandmother and aunt nearby, and I got very close to them.
    When my first son was born, the older women were there for me to ask
    all the scared-young-mother questions: "What do you do about diaper
    rash?" "How high does the baby's fever need to be before I call the
    doctor?" "He's coughing his head off — what should I do?"

    For just a
    handful of years later in my adult life, I lived in the same town —
    Sarasota —  with my mother, my dad, two of my three sisters, and my
    brother.

    Being close enough to run over to a sister's house to just
    say "hey," or to Mama's for a cup of coffee and a piece of lemon icebox
    pie, or to sit by Daddy's pool and visit with him, was a fresh delight
    that never got stale. I overjoyed to be able to be at the hospital when
    my youngest nephew was born, and to celebrate his first birthday and
    first steps.

    We all shared Thanksgiving dinners and Christmas
    get-togethers, and lots of birthday parties. For a woman who had lived
    so far away from her family most of her life, it was a rich, joyful
    time to treasure.

    I love our new life here in the Ozarks, and am so
    thankful for my husband and my mother-in-law and my son being here, but
    sometimes I really miss living close to my extended family.

    My
    grandparents and parents have all crossed the River, and now that there
    are only the five of us children left, I feel more keenly how vital it
    is for us to keep in touch and stay close. I long for our kids to know
    and love each other, now that they're scattered from Colorado to
    Washington, DC., to south Florida.

    Sometimes I envy my friends whose
    sisters all live within an hour's drive, who can run down the street
    and have lunch with their mothers every day, whose children all live
    close enough for weekend visits.

    If most of your kinfolks live
    nearby, be grateful. I know they get on your nerves sometimes, because
    we all do that to each other, especially the people we love most, but
    treasure your time with them.

    And as for me, I'm fixin' to start planning a family reunion in the Ozarks.

    By Celia DeWoody
    Published Oct. 17, 2007
    Harrison Daily Times, Harrison, Ark.
    Copyright Harrison Daily Times, 2007





  • Hey, friends,

    We've been having a very Ozark-y weekend.

    Friday,
    a couple of colleagues and I drove over to Yellville to the very early
    part of the annual Turkey Trot Festival, which draws thousands every
    year. Here are a couple of my favorite photos from that trip:

    lady and candlesticks

    lady and St


    purple people

    Members of the Nahziryah Monastic Community in St. Joe, Ark.,
     known as the "Purple People" - the "Nazir Order of the Purple Veil"





    I
    had to work on Sunday's paper yesterday, but got through early, so we
    had time to relax in the afternoon at home. Then last night, we headed
    down south to Jasper to the Ozark Cafe', where we thought they always
    had live music on Saturday nights.


    The
    Ozark Cafe is a very unique old landmark, open since, I think, 1909.
    They have great hamburgers, milkshakes, and fried mushrooms (Southern
    health food!) But last night, instead of live bluegrass, as were
    expecting, they had karoake, Ozarks style! I've never been anywhere
    they were doing karaoke, and got a huge kick out of staid, unsmiling
    grandmas who'd walk up to the mike and start belting out Patsy Cline,
    or large fellas in overalls who could do a mean Conway Twitty. Of
    course, some of them were awful, but more were good, so we enjoyed
    people watching while we ate.


    This
    morning, we drove over to Yellville to 11 a.m. Mass because I was too
    much of a sleepy head to get up for the 8 a.m. Mass here. Doyle went
    with me and then we drove down to the Buffalo River over that way to
    see about lining up a float trip on the Buffalo for next Sunday. We
    ended up eating a delicious barbecue sandwich in the outfitters shop at
    Wild Bill's, then drove down to Buffalo Point.


    I'd
    never been to Buffalo Point, which is a gorgeous state park, campground
    area. Here are some of my favorite scenes from there. We're planning to
    inaugurate our teardrop camper over there as soon as Doyle finishes it!

    sign

    view from top


    wooded bluffs

    Buffalo bluffs

    view 2

  • Last weekend, we drove over to Eureka Springs, and Doyle took me to Thorncrown Chapel, which I'd never seen. It's an absolutely lovely chapel in the woods, designed by E. Fay Jones, a well-known Arkansas architect, and opened in 1980.  The chapel looks like it grew in the woods. It's been called "one of the finest religious spaces of modern times."

    thorncrown entering


    thorncrown exterior



    thorncrown interior 1

    Thorncrown interior 2


    thorncrown interior 5

    thorncrown interior 6

    thorncrown interior 7

  • The
    Northwest Arkansas District Fair has been in town all
    this week,
    complete with carnival, rodeo parade, and cotton
    candy. All of us in
    the newsroom have been shooting photos
    galore for the paper. Here 's my
    own favorite. I ran this on
    the front page yesterday:

    jolene best no red


  • This afternoon, we decided to take a Sunday drive down Highway 43 into Newton County, toward the Boxley Valley. Want to come along?

    highway 43 Sept


    Our goal was to find me some pretty old barns to shoot, and we found one that may be my favorite of all the barns I've collected so far:

    barn silver

    How would you like to walk across a hanging footbridge
     to get to your house?
    hanging footbridge at Ponca
    Or drive across an Ozarks covered bridge?

    Ponca covered bridge

    My eagle-eyed outdoorsman spotted
     lots of wildlife for me to shoot:

    butterfly black and yellow

    bee on  yellow flower best of all

    young buck

    wood ducks 6

    Did y'all know we have Rocky Mountain elk here in the Ozarks? Once native to the hills, they died out and were brought back in cattle trucks about 25 years ago from the Rockies. They have flourished in the Buffalo River area, to the point that the farmers in some places are really having
    a problem with them breaking down fences
    and eating up their pastures.
    This is a young bull elk. I've never gotten one
    this close before.

    young bull elk

  • What does it mean to be an artist?
    There's
    an amazing book by one of my favorite writers, Madeleine L'Engle,
    called "Walking on Water: Reflections on Faith and Art." My 1983
    paperback copy of this book, one of the books that has helped shape my
    life, has been read so much it's held together with brittle masking
    tape.

    In her book, L'Engle reflects on the creation of art, and
    how all the art that we humans make -- whether with paint or music or
    words or other media --  is actually sharing in God's creative work,
    even when the artist doesn't consciously realize that he is in fact
    doing that.

    She talks about how artists have to tap back into what
    most of us left behind in our childhoods, that boundless world of the
    imagination, which becomes stilted and faded for most of us as we grow
    older.

    To create, to do what L''Engle calls "serving" the art we're
    called to bring forth, sometimes we have to let go for a little while
    of all the things that tie us to the adult world, like paying bills and
    meeting deadlines and trying to be sure we take our vitamins and get
    enough exercise and sleep, and fall back into the freedom of childhood,
    when we just PLAYED. When we forgot about the clock. When we climbed
    the mimosa tree in the vacant lot next door with our little sister, and
    the tree bloomed into a royal castle, and two little pig-tailed girls
    in dirty Keds were transformed into exquisite  princesses. Or when we
    could run down the steep grassy hillside so fast that by the time we
    were halfway down, our feet were off the ground and we were soaring up
    into the blue sky to play hide-and-seek among the clouds. Or when we
    could see the tiny lights sparking in the blue evening and know they
    were really fairies, not just plain old lightning bugs. Or when we
    could put a scribbled note on a kite string and watch it soar in the
    wind up to Heaven, a letter to God.

    L'Engle talks about how an
    artist has to listen. "And sometimes when we listen," she said, "we are
    led into places we do not expect, into adventures we do not always
    understand."

    Have you experienced this listening, this being led
    into places you didn't expect, into adventures that you didn't always
    understand? I have. I can't make it happen, but sometimes it comes as
    an unexpected gift, and when it does, it's wonderful.

     The magic
    used to happen to me every once in a while when I was teaching a class
    in literature, or a Sunday School class. I'd be standing there in front
    of my group, teaching from the book or from my notes, and all of a
    sudden, hear words coming from my mouth and explanations and
    illustrations that were making the point I wanted to make much more
    clearly and eloquently than anything I'd ever thought of before, or
    written down, and I'd think, on another level as I continued to speak:
    "Where is this all coming from? I didn't even know I knew that!"

    Those
    would be the sparkling times in teaching, those rare and wonderful
    moments, when my usually unruly class would be spellbound for a few
    minutes, every eye on mine, and I'd have them in the palm of my hand,
    and know that what was in my brain and heart was actually making the
    hoped-for transition and flowing into their brains and hearts, the
    essence of communication, the heart of teaching. It was those rare
    moments that made teaching a creative act for me, and made me love it.
    I think those moments must happen often for very gifted teachers. They
    didn't come often for me, but when they did, they made me love what I
    was doing. In those moments, teaching became art. In those moments, I
    was listening to the Teacher.

    More often in my life, I've
    experienced this magic as I've been working on a piece of creative
    writing. Sometimes the work takes over, and it goes in a completely
    unexpected direction. The column or essay or the letter that I thought
    I was going to write, that I had started to write and maybe even spent
    a long time on, turns in a new direction, one that I had never even
    thought of as I began my task. It veers off on its own track, and I
    have to follow it. Sometimes I fight it, and try to stick to the
    original idea, but that never works. The old idea just lies there, cold
    and dead, and refuses to come alive, as the new one begs for me to
    breathe life into it and let it grow. I have no choice, eventually, but
    to give in and listen to the new flow of ideas coming from somewhere
    outside me, or maybe deep inside me. And when I do go ahead and listen -- even when it means throwing away hundreds of words I'd already
    written -- I never regret it, because what ends up on the page is better
    and more true than what I had thought of in the beginning.

    Madeleine
    L'Engle was right. Creating, whether it is teaching a lesson, or
    shaping a sculpture, or photographing a mountain, or weaving a blanket,
    or composing a song, or writing a story, is sharing in God's creative
    work. If He's given a work to us to create, we must say "yes" to it.
    Then we have to listen carefully with the ears of our hearts, to hear
    what He's really saying, and do our best to let that truth come through
    our work so that others can hear, through our creation, the true and
    loving voice of the original Artist.

    By Celia DeWoody
    Published in the Harrison Daily Times Sept. 19, 2007
    Copyright 2007 Harrison Daily Times

    IMG_3112-1






  • Hey, friends,
    Boy, have I been missing my wireless laptop, which is like my right arm! Its power source died a week ago, and we had to order a new cord from Dell, which finally arrived today...yay!
    Our big and wonderful news is that my sweetheart is about to become a published novelist! He's been writing all his life, and several years ago completed a delightful novel based on some of his father's memories of growing up in Arkansas during the early part of the 1900s. It's a series of letters between a girl, who moves with her family away from Boston to the frontier in Arkansas, and her male friend back in Boston. Anyway, D would never pursue trying to get it published, even though everyone who ever read it loved it and urged him to.
    I met a woman via the newspaper, an English teacher from Mississippi, originally, as a matter of fact (a bond between us!) who has a small publishing company here in Arkansas, and when I told her about D's manuscript, she graciously offered to read it. And just a few days ago, we heard from her that she wants to publish in next year. We are both so excited about it.
    I plan to write more soon. I have lots of pictures to share, and this week's column. But for now, here's a photo to make you smile. We had to order Hagrid an extra-large doggie crate, because he had already outgrown the one we had. He was scared to go in it last night when Doyle got it all set up, I guess because it smelled unfamiliar. So I got in first.
    Celia in Hagrid's cage

  • When you write for a newspaper, your stories cover the
    whole spectrum of human experience and emotion. You're writing about
    life, with all of its poignancy and fear and beauty and humor and
    horror and joy.

    During the almost 10 years I've spent as a reporter,
    I've covered stories so heartbreaking they'll never leave me. Some of
    them I wrote with tears running down my cheeks as I typed.

    I'll
    never, ever forget the pretty high-school homecoming queen who kept her
    pregnancy secret from her parents, gave birth alone in the bathroom of
    their home, then strangled her newborn daughter with a sock. I've
    watched the girl's devastated father, the mayor of the town, standing
    by as his hysterical daughter was being brought in in handcuffs. I've
    sat through her trial. And I've gone back to the office and written my
    story.

    I've cried with a grieving woman as she told me about her
    elderly father, a kind and respected man, who charged with manslaughter
    after he went out at dusk one evening into the woods near his home and
    shot at what he thought was a deer, and instead killed her husband. And
    then I've gone back to my computer, and I've written my story.

    I've
    sat in the gentle springtime sunshine on the front porch of a modest
    country house and interviewed a frozen mother whose little boy had
    burned to death in their nearby house just the day before. And I've
    gone back to the office and written my story.

    I've talked with a
    dignified, shell-shocked couple who had just been notified that their
    Naval officer son, their baby, had been killed when the USS Cole was
    torpedoed in Yemen. And I've gone back to town and written my story.

    I've
    stood on a  Mississippi highway on Ash Wednesday with a freezing rain
    falling on the broken bodies scattered all over the road, after a van
    crammed with too many Mexican workers was broadsided by an 18-wheeler.
    I've knelt and covered up one young man with a shirt from my car,
    trying to keep him warm until the ambulance got there, before I
    realized he was dead. And I've gone back to the office and written my
    story.

    I've sat on Wesley and Peggy Bushnell's deck at Mount Sherman
    and talked with them and their three heart-torn daughters about their
    Billy, their fallen soldier son and brother, and we all cried
    together.  And I've driven back to Harrison and written my story.

    But
    as you know, not all of my stories have been sad ones, and especially
    since I've been here at the Daily Times, I've had the opportunity to
    write about people who are making this world shine a little more
    brightly, people who have inspired me more than they can imagine with
    their big hearts and their unselfish giving.

    I've talked to some of
    the outstanding Mennonite young people who come here to Harrison from
    all over the country to give months of their lives in volunteer service
    to the elderly at Hillcrest Home. I've watched a handsome boy, at the
    age many kids are only thinking about their own good times, helping a
    frail old man to eat his lunch, as kindly and gently as a mother taking
    care of her child. And I've gone back, and I've written my story.

    I've
    visited a group of women who gather to stitch quilts to comfort little
    children who have been taken out of their homes because of bad, scary
    things that were going on there. And I've gone back to the office, and
    I've written my story.

    I've walked through our Hospice House, for
    which untold people have given freely of their time, their money and
    their talents, so that our dying neighbors will have a place to go
    where they will be cared for with dignity and kindness. And I've gone
    back, and I've written  my story.

    I've gone to see a kind-hearted
    lady and her disabled friend, to whom she gives almost every morning of
    her life. And I've gone back, and I've written my story.

    I've been
    to Make-a-Wish Foundation parties, and have seen love in action as sick
    children's dreams are brought to life by the kindness of their
    neighbors. I've seen their parents' eyes fill with tears as they watch
    the joy on their son's and daughter's faces. And I've gone back, and
    I've written my story.

    Writing for a newspaper is writing about life.
    Sometimes
    my heart breaks. Sometimes I laugh. Sometimes I’m terrified. Sometimes
    I'm sickened by the horror of it. And many, many times, I'm touched and
    strengthened by the kindness and unselfishness and loving hearts of
    those I meet. And I go back, and I write my stories.


    By Celia DeWoody
    Published Sept. 12, 2007
    Copyright Harrison Daily Times, Inc. 2007






  • In the 17 days that have passed since Doyle and I adopted Hagrid, our Great Dane puppy, we've learned a lot.
    Along
    with finding both of our hearts being wrapped around his gigantic paws,
    we've collected some amazing facts from reading on the Internet about
    Great Danes....
    For example, I had no idea that there were so many famous cartoon Great Danes.

    astro


    Did
    you have any clue that Astro, the Jetsons' big dog on the old cartoon
    show, was a Great Dane?
     Or Marmaduke, in the newspaper comic strips?

    marmaduke


    Or, for heaven's sake, SCOOBY DOO? Who knew?

    scooby


    We've also picked up a
    little bit about the history of the breed. One website says that in 407
    A.D., Europe was invaded by an Asian tribe who brought their powerful
    dogs along. Later, in Germany, these big strong dogs, admired for their
    ability to whip up on bears and wild boars, were crossed with Irish
    greyhounds, resulting in the dogs we know as Great Danes. Other sources
    have differing histories of the breed, but all that I've read seem to
    agree that hounds played a role in the development of our present-day
    Great Danes.
    I knew there had to be a hound-dog in the family tree
    somewhere. Those drawn-out howls that sometimes erupt from our big
    black puppy, especially when he's frustrated because Darnit Kitty won't
    play with him anymore, sound suspiciously hound-doggish. In fact, so
    hound-doggish that we've been tempted to changed Hagrid's name to
    Elvis. Luckily for the neighbors, our dog doesn't howl -- or even bark --
    very often. For a puppy, he's pretty laid-back, which is supposed to be
    another characteristic of the breed, and suits Doyle and me just fine
    at this age and stage of our lives.
    Great Danes are supposed to be
    good at tracking, being watchdogs, and "carting," I've also learned.
    Carting? I wonder if Doyle would hammer me together a little cart so
    that I could hitch Hagrid up and drive him down the hill to the Square
    to work. I'm envisioning something sort of like those gladiator
    chariots in "Ben Hur." Getting me back UP the hill might be a whole
    'nother story. I might have to put him in the cart and hitch myself to
    the front, depending on how my diet is going.
    I've also read,
    "Because of his giant size, the Great Dane should be thoroughly
    obedience-trained when young so it will be manageable when fully grown."
    Hmmm.
    We've tried to really take this to heart. I have visions of being
    dragged around Harrison at the wrong end of a leash by my
    Shetland-pony-sized pet. Or of me trying to stop him from barking at
    the pizza delivery guy, and being totally ignored by a massive creature
    who outweighs me, which he eventually will, unless Brasel keeps
    bringing doughnuts into the newsroom all the time, then I might have a
    few pounds on Hagrid even after he's fully grown.
    Seriously, Doyle
    and I have both been working hard to teach our new doggie what he needs
    to know at this stage of his puppyhood. He's learned to walk on a leash
    pretty well, considering he'd never even seen a leash or a collar until
    we brought him home, and acted like we were trying to strangle him to
    death the first time we tried walking him.
    He knows what "sit" and
    "stay" mean, and he's obeying those commands pretty faithfully. Coming
    when he's called is going a little more slowly.  He comes most of the
    time, unless something more interesting has his attention — like the
    cat.
    The one thing we're not having any luck getting him to do is go
    into his crate when we tell him to. We've tried telling him, bribing
    him with a treat, everything we can think of, but every time, it takes
    bodily dragging him in there and closing the door. As I write, he's in
    the crate (where I dragged him) for "time out" because he wouldn't stop
    chewing on the armchair. Even though he has has about 47 chew toys of
    various shapes and sizes scattered around the house, the legs of the
    furniture -- and my leather sandals -- are his favorite things to chew.
    He
    ADORES his brother the cat, and Roscoe tolerates him. Now that Roscoe
    has gotten used to him, they romp around the house, batting at each
    other, play-biting, rolling around, until the cat gets bored with all
    that silly dog stuff and hides behind my grandmother's antique rocking
    chair. The first few days after Hagrid joined the family, Roscoe
    totally avoided him and perched up in a high windowsill, giving that
    whippersnapping intruder the baleful stare that only a haughty feline
    with its nose out of joint can pull off. But now Roscoe has completely
    thawed and seems to be actually having fun playing with his upstart
    baby brother.

    IMG_2690

     So we're all adjusting, and meanwhile, I'm still studying up on our new dog and his kinfolks.
    Did you have any idea that the Great Dane is the state dog of Pennsylvania?

    By Celia DeWoody
    Published Sept. 5, 2007
    Copyright Harrison Daily Times, Harrison, Ark.



  • Happy Labor Day, and Happy Third Anniversary to my sweetheart and me!
    If you have time, check out my new web album of our Labor Day outing to War Eagle Mill, about 70 miles west of here. It should be just above this entry...double click to open the album.

    bridge